Tag: philosophy

4 POR-EM-OBRA-DA-VERDADE Treading the way that discovers ' ' Yours olhos' ' , we bring the poem to the light of the hermeneutics of the language, of Martin Heidegger. For in such a way we will evidence the heideggerianos concepts that marry verses of the art in question well, therefore here ' ' … interpretation nothing more is of what the development of understanding assuming itself of the possibilities where power-to be projeta' ' (NUNES, 2002, p.18). In this way, it calls the attention in the poetical words Luciane Moraes, subjects: glory-light; announcement; discovery; death; words, as we emphasize. In ' ' The origin of the workmanship of arte' ' , Heidegger affirms that the essence of the work of art is ' ' put-if-in-workmanship-da-verdade' ' of the being; when &#039 elaborated the interpretation of the picture; ' The shoes of camponesa' ' , of Van Gogh. ' ' In the work of art, the truth of the being sets in workmanship. ' Pr' it means here to erect.

A being, a pair of peasant shoes, accedes in the workmanship when being in the bare place of its being. The being of the being accedes to the permanence of its brilho' ' (HEIDEGGER, 1991, p.27). Thus, the essence of the work of art is to erect in the language the desvelamento, to the stocking-light, of the being who is a not-nothing. A desvelamento-encobrimento, what it means ' ' to the stocking-luz' ' , of the being in the work of art, that is language and, therefore, poetry, constitutes the originary moment at which the poetess if collates with the desvelamento of the being of the being; over all in the case of &#039 is the moment of the meeting of two actual worlds; ' Yours olhos' ' ; the moment is this of enlace-if-with, differently to imprison it, since that ' ' encontro' ' it implies advent and movement, ' ' …